{"id":19570,"date":"2017-04-11T17:01:08","date_gmt":"2017-04-11T22:01:08","guid":{"rendered":"http:\/\/panamaadvisoryinternationalgroup.com\/blog\/?p=19570"},"modified":"2017-04-11T17:01:08","modified_gmt":"2017-04-11T22:01:08","slug":"cocote-night-calypso-aquarius-win-big-iff-panama","status":"publish","type":"post","link":"https:\/\/panamaadvisoryinternationalgroup.com\/blog\/cocote-night-calypso-aquarius-win-big-iff-panama\/","title":{"rendered":"\u2018Cocote,\u2019 \u2019A Night of Calypso,\u2019 \u2018Aquarius\u2019 Win Big at IFF Panama"},"content":{"rendered":"

\"\"<\/a><\/p>\n

\u201cCocote,\u201d by Dominican Republic director Nelson Carlo dos Santos and Panama music documentary \u201cUna Noche de Calypso,\u201d from Argentine director Fernando Munoz topped the 3rd Primera Mirada, announced as its joint winners during the closing ceremony of\u00a0<\/span>IFF Panama<\/a>, that wrapped Wednesday.<\/p>\n

Each film will receive a $7,500 award \u2013 a 50\/50 split of the sidebar\u2019s total prize. \u201cCocote\u201d will screen at the Cannes Film Market and its producers receive Cannes Film Festival accreditation, full travel and accommodation.<\/p>\n

Meanwhile, in IFF Panama prizes, all determined by public vote, \u201cAquarius,\u201d from Brazil\u2019s Kleber Mendon\u00e7a Filho took the People\u2019s Choice Copa Airlines Audience Award for best Ibero-American fiction feature, and Delfina Vidal\u2019s \u201cLa Matamoros\u201d best picture in the Panama Fest\u2019s key Central America and Caribbean competition,\u00a0 while \u201cBellas de Noche\u201d won best documentary.<\/p>\n

<\/div>\n

\u201cCocote\u201d turns on an Evangelical Christian who attends the burial of his father in his hometown, where he has to participate in religious cults that clash with his own beliefs. \u201cCalypso\u201d is about a once famous Calypso band that is getting together again. The project was also screened in the works-in-progress sidebar at the Havana, where it won the ARACNE DC Post-Production prize.<\/p>\n

The other two projects in competition were \u201cTrinidad and Tobago filmmaker Mariel Brown\u2019 \u201cUnfinished Sentences,\u201d about a daughter coming to terms with the death of her father and Puerto Rican helmer Ari Maniel Cruz\u2019s \u201cWho are You?\u201d -about a distinguished doctor whose wife is diagnosed with Alzheimer\u2019s.<\/p>\n

Starring Sonia Braga as a moneyed widow who resists a real-estate development company\u2019s pressure to abandon her home, \u201cAquarius\u201d was always one of the frontrunners of Ibero-American films at IFF Panama, well-received at Cannes and a follow-up to \u201cNeighboring Sounds\u201d that is \u201ca more subtle film but no less mature,\u201d according to\u00a0<\/span>Variety<\/i>.<\/p>\n

A prize for Vidal\u2019s women\u2019s rights leader portrait \u201cLa Matamoros\u201d marks welcome recognition for an emerging doc auteur whose \u201cCaja 25,\u201d screened at the IFF Panama in 2015, delivered a fresh take on Panama-U.S. relations.<\/p>\n

Portraying the past and present of Mexico\u2019s top \u201870s\/80s showgirls. \u201cBellas de Noche\u201d snagged a Morelia best documentary plaudit, a theatrical bow from exhibition giant Cinepolis, \u201cand a Netflix pick-up. Produced by Cinepantera and Detalle Films, two top Mexican outfits, it marks director Maria Jose Cuevas\u2019 maiden feature.<\/p>\n

A total of 48 eligible films were submitted to the Primera Mirada competition this year \u2013 compared to 46 in 2016 and 32 in 2015.<\/p>\n

The projects were evaluated by a three-person jury formed by Julio Hernandez Cordon, director of \u201cBehind There\u2019s Lightning\u201d and 2015 Primera Mirada winner with \u201cI Promise You Anarchy, Carlos A. Guti\u00e9rrez, of New York non-profit media arts organization Cinema Tropical: and Virgine Devesa, co-founder of Paris-based independent sales company, Alpha Violet.<\/p>\n

During the festival\u2019s closing press conference it was announced that Puerto Rican post production house Reaktor Post, has decided to offer DCP copies to all four films playing in the sidebar, due to the strength of the selection, even though it had originally only pledged to offer a DCP copy to the winning film.<\/p>\n

This was the first year that the Inter-American Development Bank was involved in Primera Mirada, by contributing the $15,000 prize money.<\/p>\n

IFF Panama\u2019s director Pituka Ortega Heilbron said the joint-prize decision was due such a strong and inspiring set of films. \u201cThis is quite extraordinary what\u2019s happening. The fact that businesses are becoming involved in the development of a burgeoning industry.\u201d She added: \u201cThe IDB is tapping into the fact that film is such a powerful medium for these countries,\u201d says Heilbron. \u201cFilm is not just an industry. It has a tremendous educational impact. Film is an identity builder.\u201d<\/p>\n

During IFF Panama\u2019s closing ceremony, it was also announced that the IDB is launching a short film competition in Panama for 3-5 minute videos, that can be produced in any format, from cell phone to animation. \u201cThey want to be super flexible in the format because they want to open up the creative juices of the local talent,\u201d explained Heilbron.<\/p>\n

Toronto Fest programmer Diana Sanchez, artistic director of Primera Mirada and IFF Panama, said filmmakers received lots of feedback, and in many cases it was the first time that the projects were ever shown to an audience beyond the core technical team.<\/p>\n

\u201cThe filmmakers have been hanging out and talking with each other, often coming up with new ideas to complete their films,\u201d she added.<\/p>\n

\u201cThis year, we\u2019ve reinforced the industry dimension of the festival, through a strong selection of films in Primera Mirada and the launch of the Campus Latino initiative, in conjunction with the Goethe Institut in Mexico,\u201d concluded Heilbron.<\/p>\n

<\/div>\n

\u201cSince we launched the Festival in 2012, our objective has been to build a major industry meeting-place for Latin American filmmakers, especially those from Central America and the Caribbean, and we\u2019re extremely happy with our increasingly strong industry presence.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cCocote,\u201d by Dominican Republic director Nelson Carlo dos Santos and Panama music documentary \u201cUna Noche de Calypso,\u201d from<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[10,12,247,241,39,248,34,33,62,42,219,11,249,243,7,246,244,44],"class_list":["post-19570","post","type-post","status-publish","format-standard","hentry","category-news-articles-panama-perpsective","tag-bocas-del-toro","tag-boquete","tag-boquete-boca-chica-real-estate","tag-boquete-real-estate","tag-buenaventura","tag-casco","tag-casco-antiguo","tag-casco-viejo","tag-coffee-in-panama","tag-estate-homes-in-panama","tag-move-to-panama","tag-offshore-real-estate","tag-panama-offshore-real-estate","tag-panama-papers","tag-panama-real-estate","tag-relocate-to-panama","tag-rum-in-panama","tag-travel-to-panama"],"yoast_head":"\n\u2018Cocote,\u2019 \u2019A 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