{"id":16516,"date":"2016-05-08T14:33:56","date_gmt":"2016-05-08T19:33:56","guid":{"rendered":"http:\/\/panamaadvisoryinternationalgroup.com\/blog\/?p=16516"},"modified":"2016-05-08T14:33:56","modified_gmt":"2016-05-08T19:33:56","slug":"panamas-film-culture-is-growing-but-film-festivals-offer-a-ticket-to-the-top-professor-says","status":"publish","type":"post","link":"https:\/\/panamaadvisoryinternationalgroup.com\/blog\/panamas-film-culture-is-growing-but-film-festivals-offer-a-ticket-to-the-top-professor-says\/","title":{"rendered":"Panama\u2019s film culture is growing, but film festivals offer a ticket to the top, professor says"},"content":{"rendered":"
\n

\"panama<\/a><\/p>\n

Eyes will be on Cannes, France, this month as cinema fans seek a glimpse of films and filmmakers leaving their mark.<\/p>\n

What will be absent from the famed festival is many films from the Global South.<\/p>\n

\u201cPanama and other Central American countries tend to be overlooked,\u201d said Tamara Falicov, associate professor of film and media studies at the University of Kansas. \u201cThe good news is Panama is a country in the making. The Panama Film Festival<\/a> is less well-known, but it\u2019s becoming a pipeline for the most well-known film festival in the world.\u201d<\/p>\n

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Why IFF Panama?<\/h1>\n<\/div>\n<\/div>\n<\/div>\n
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IFF Panama exists for its audience: because Panamanians share an immense cultural passion for cinema, always open to exchange with all nations of the world. This passion caused and supported the launch of our first festival in 2012 and has fueled its growth ever since. Today, IFF Panama is a recognized cultural cornerstone.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

It is only the second year for the Panama Film Festival\u2019s finishing fund competition, First Look, yet the winner will be presented to producers at the March\u00e9 du Film at Cannes. This year\u2019s winner is a Dominican Republic film, \u201cNoeli Overseas.\u201d<\/p>\n

If larger film festivals like Cannes can do anything for Global South filmmakers, it would be discovering the next booming film economy. It\u2019s a win-win, Falicov said, because there\u2019s also prestige for those who discover the next \u201cnew wave\u201d from an underrepresented film industry.<\/p>\n

\u201cFilm festivals have become nodes in a circuit where people will travel from festival to festival to meet with others from various countries,\u201d Falicov said. \u201cIt\u2019s become a whole ecosystem.\u201d<\/p>\n

As the number of film festivals worldwide expands, they need value-added activities to remain relevant and stand out, Falicov said. This means the emergence of screenwriting labs, networking parties and competitions like First Look, which awards an in-progress movie the funding needed to complete post-production work.<\/p>\n

In April, Falicov was in Panama to speak about international film funding and the subtleties and issues surrounding it. She encountered young Panamanian filmmakers who were proud that their nation produced six films this year in spite of not having a film school.<\/p>\n

She told her audiences that the kinds of cinema that typically get funded by the Global North look at issues like poverty, desperation and social problems and \u201creflect a certain third-worldliness.\u201d<\/p>\n

\u201cIf the films are too bourgeois or too wealthy-looking, they can get rejected,\u201d Falicov said.<\/p>\n

She suggested Global South filmmakers also look to horizontal funding, from crowd-funding campaigns to competitions like First Look. Filmmakers need to understand that judges look for movies that can cross over to an international marketplace.<\/p>\n

\u201cSome of these are too local and don\u2019t have humor that can translate,\u201d she said.<\/p>\n

A successful blend of local and global themes can be found in Paraguay\u2019s \u201cSeven Boxes,\u201d Falicov said. It\u2019s a genre film like \u201cThe Fast and the Furious\u201d but instead of cars, boys with pushcarts race through the markets of Asunci\u00f3n.<\/p>\n

It\u2019s a film that is incredibly compelling, with quick editing, and yet it\u2019s in a very local space, Falicov said.<\/p>\n

\u201cMy goal is to understand what is this transnational art house aesthetic,\u201d she said.<\/p>\n

Falicov co-edits a book series on film festival research with Dutch film scholar Marijke de Valcke called \u201cFraming Film Festivals\u201d for Palgrave Macmillan.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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